When the critics jeered at a room of color slapped on raw, Matisse was the one they were really yelling at. He pushed pure pigment past anything that looked like a real sky or a real face, and the whole movement formed in his wake.
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When the critics jeered at a room of color slapped on raw, Matisse was the one they were really yelling at. He pushed pure pigment past anything that looked like a real sky or a real face, and the whole movement formed in his wake.
